Visionary arts executive, educator, artistic innovator, and cultural strategist with over two decades of experience shaping cultural and educational initiatives at the intersection of artistic excellence, organisational rigour, and community engagement. A builder of infrastructures who demonstrates a consistent record of empowering artistic vision, leading fiscally responsible organizations, and aligning complex operational ecosystems
with bold creative goals. A critical thinker known for imaginative solutions, analytical creativity, and equity-driven leadership,
with a talent for developing approaches that challenge convention, deepen public engagement in the civic role of the arts,
and contribute to shaping the next chapter of arts in Europe.
with bold creative goals. A critical thinker known for imaginative solutions, analytical creativity, and equity-driven leadership,
with a talent for developing approaches that challenge convention, deepen public engagement in the civic role of the arts,
and contribute to shaping the next chapter of arts in Europe.
ARTS EXECUTIVE LEADERSHIP
A highly intensive training program, currently in its 6th season, Each year, the program welcomes international singers and pianists, faculty members, a full orchestra, and production, tech and venue teams from over 30 countries. It consists of three modules running in parallel: full Wagner or Strauss, R. opera with orchestra, a Lieder Festival and Akademie, training and career module. The program is the only of its kind worldwide.
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The largest EU and US aggregator for opportunities in the classical vocal arts. The company produced a series of educational programs for opera singers produced in Berlin and taught by some of the leading names in opera today.
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The largest North American publication for the vocal arts since the 1980s. CS Music publishes a quarterly printed magazine and releases a monthly online edition. It also produces an annual convention for the vocal arts, a competition and up to 6 panel auditions throughout the US and Europe.
Classical Singer Magazine and Classical Singer Online WEBSITE |
The first art song festival in Berlin, Germany, with full-length programming and a series of fully-sponsored masterclasses. The festival used unusual concert spaces where classical music is not performed. Programming included 6 concerts as well as 5 full days of masterclasses culminating in a concert.
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PRODUCTION, CASTING & DIRECTING
Staged with orchestra performed in the chamber space of the Luisenkirche Grosser Sall, and with a reduced orchestration by Andrew McInness commissioned specifically for this production.
Strauss: Ariadne auf Naxos NIKOLOVA-WYMA GbR Berlin, Germany |
Staged with orchestra performed in the chamber space of the Luisenkirche Grosser Sall, and with a reduced orchestration by Andrew McInness commissioned specifically for this production.
Strauss: Elektra NIKOLOVA-WYMA GbR Berlin, Germany |
Staged with orchestra performed in the chamber Labsaal Alt-Lübars, and with a reduced orchestration.
Wagner: Die Walküre, Berlin, Germany NIKOLOVA-WYMA GbR Berlin, Germany |
Multi-media film recorded by performers around the world.
Wagner: Die Walküre (multi-media film) NIKOLOVA-WYMA GbR online |
Staged with orchestra performed in the ballroom of the Stage-Factory Berlin, and with a reduced orchestration.
Wagner: Das Rheingold NIKOLOVA-WYMA GbR Berlin, Germany |
Folk songs have always been the true expression of a culture. Often heard in female voices, describing the realities and aspirations of women. This collection of folk songs from around the world arranged for voice and steel drum, introduces unexpected sonic, rhythmic and linguistic characteristics as well as a narrative of profoundly human experiences.
THE FOLK SONG PROJECT - folk songs for voice and steel drum DEUTSCHER MUSIKRAT Neu Start Kultur Stipendium Berlin, Germany |
Full production with a band.
Jason Robert Brown's The Last Five Years DIE ETAGE Berlin, Germany |
Theatre piece for soprano, piano and two actors written and directed by Gidon Saks. The piece explores the triangulation in the relationship between Gustav, Alma and Anna von Mildenburg through the Rückert Lieder. The piece is written and conceived for spaces where opera is not performed and for audiences new to opera.
Geboren Alma Schindler Theater Piece Set to The Music of Mahler's Rückert Lieder (World Premiere) BERLINER OPERNVEREIN Berlin, Germany |
Multi-media sound Installation by Andrés Galeano commissioned by Grimmuseum Berlin.
Pathologies of the Image Performance GRIMMUSEUM gUG Berlin, Germany |
The first European chapter of the AIDS Quilt Songbook. Under the tutelage of Berliner Aids-hilfe e.V.
AIDS Quilt Songbook: German Edition BERLINER AIDS-HILFE e.V. Berlin, Germany WEBSITE |
EDUCATION
Voice Studio online and in:
Baltinglass, Ireland; Gran Canaria, Spain; Berlin, Germany; Boston, Massachusetts, USA; Orlando, Florida, USA; Cambridge, Massachusetts, USA |
A state-accredited private college for professional vocational training in musical theatre, contemporary dance, acting and physical theatre.
DIE ETAGE Berlin, Germany |
Assistant Stage Director for numerous opera productions.
A private research university founded in 1852. TUFTS UNIVERSITY Medford, Massachusetts, USA |
Learning with Anastasia has had a profound impact on my singing. Her dynamic, engaging teaching style makes each lesson both inspiring and productive. She’s helped me harness optimal use of my instrument and provided a solid technical toolkit that supports healthy, sustainable vocal production, which is essential alongside my professional singing work. One of the standout aspects of working with Anastasia is the language she uses to explain technique: she bridges the gap between vocal science and practical application in a way that really resonates.
- Lara-Clare Bourdeaux Tarr, professional opera singer, United Kingdom
Having Anastasia as my singing teacher has been an incredible privilege, and it's challenging to encapsulate everything I've learned under her guidance. From mastering vocal production to delving into music theory, the depth of knowledge gained is profound. Yet, the most significant impact lies in the lessons beyond the notes—Anastasia empowered me to understand my body, fostering awareness and self-trust. During the transformative period when I began taking testosterone, Anastasia emerged as an invaluable ally. Her unwavering support guided me through moments of insecurity, ultimately building a foundation of confidence. The journey has been life-changing, and I've worked through challenges that have not only strengthened my singing abilities but also enriched my overall self-assurance. Anastasia's teaching goes far beyond the technical aspects of music; it's a holistic approach that has left an indelible mark on my personal and musical growth.
- Alice Dee, transgender performer, Germany
I feel truly seen and heard thanks to Anastasia. Regaining my voice in her care has been a transformative experience. Her vulnerability and directness have been a gift, offering me a role model I've been searching for. Thank you for your gentle guidance.
- Nicki Ringwood, Musical Theatre singer, Ireland
- Lara-Clare Bourdeaux Tarr, professional opera singer, United Kingdom
Having Anastasia as my singing teacher has been an incredible privilege, and it's challenging to encapsulate everything I've learned under her guidance. From mastering vocal production to delving into music theory, the depth of knowledge gained is profound. Yet, the most significant impact lies in the lessons beyond the notes—Anastasia empowered me to understand my body, fostering awareness and self-trust. During the transformative period when I began taking testosterone, Anastasia emerged as an invaluable ally. Her unwavering support guided me through moments of insecurity, ultimately building a foundation of confidence. The journey has been life-changing, and I've worked through challenges that have not only strengthened my singing abilities but also enriched my overall self-assurance. Anastasia's teaching goes far beyond the technical aspects of music; it's a holistic approach that has left an indelible mark on my personal and musical growth.
- Alice Dee, transgender performer, Germany
I feel truly seen and heard thanks to Anastasia. Regaining my voice in her care has been a transformative experience. Her vulnerability and directness have been a gift, offering me a role model I've been searching for. Thank you for your gentle guidance.
- Nicki Ringwood, Musical Theatre singer, Ireland
OUTREACH & ADVOCACY
Produced and hosted fully sponsored masterclasses for 23 transgender artists from around the globe led by Dr. Stephanie Weiss. The masterclass series was produced by Anastasia Inniss and Julie Wyma with the generous financial support of NATS Valley of the Sun Chapter, Medical Voice Center Hamburg, Sarah Stephens (Stephens Nicholson Artists Management), Anonymous Sponsor and Opera Programs Berlin.
session 1 | session 2 | session 3 | session 4 online WEBSITE |
Virtual fundraising concert produced by Anastasia Inniss and Seth Carico fundraising for the most vulnerable population touched during the COVID-19 pandemic - at risk children in precarious economic circumstances.
Save the Children Fundraiser Berlin, Germany WEBSITE |
Virtual fundraising concert produced by Anastasia Inniss, Byron Knutson and Hochschule für Musik Hanns Eisler CoronaCare raising funds for students grossly affected by the COVID-19 pandemic.
Hochschule für Musik Hanns Eisler CoronaCare Hochschule für Musik Hanns Eisler WEBSITE |
Germany is a great place for opera - it holds 51% of the world’s opera theaters and is a popular choice for any singer wanting to embark on a singing career. But what is it like singing here while Black? Our panel discusses their experiences as professional opera singers in Germany.
Jeremy Osborne (host) Raehann Bryce-Davis Leah Hawkins Calvin Lee Ronnita Miller Chantale Nurse Julius P Williams Singing While Black In Germany Roundtable Panel Discussion WEBSITE |
The challenges for singers of color have been much discussed and well-documented over the years. But the only way to affect real change is at the institutional level. Our panel of directors, conductors, casting directors/agents, and singers talk about how to shift the current paradigm towards complete diversity and inclusivity.
Jeremy Osborne (host), Jeremy Bines, Raehann Bryce-Davis, Kevin John Edusei, Byron Knutson, Leslie Kwan, Sarah Stephens, Stephanie Weiss, Melody Wilson Race in Opera Roundtable Panel Discussion WEBSITE |
Ageism’s seed is based in white supremacy and paternalism. What sprouts from that seed is exclusion and discrimination based on socio-economic disadvantages, race and gender. Our panel discusses how ageism affects all corners of the industry as well as how to level the playing field.
Anastasia Inniss (host), Alaysha Fox, Carol Mastrodomenico, Francesca Mondanaro, Andrea Nwoke, Jeremy Osborne, Rosalind Plowright, Stephen Reineke, Tichina Vaughn Ageism in Opera Roundtable Panel Discussion WEBSITE |
